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My Days
Orlando Gibbons, Nico Muhly

Fretwork

My Days

Price: € 19.95
Format: CD
Label: Signum Classics
UPC: 0635212089729
Catnr: SIGCD 897
Release date: 23 May 2025
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Label
Signum Classics
UPC
0635212089729
Catalogue number
SIGCD 897
Release date
23 May 2025
Album
Artist(s)
Composer(s)
EN

About the album

"Orlando Gibbons was a genius. We can probably all agree that this term is massively anachronistic. However, justified, I think, in order to establish his music on the same elevated niveau as Purcell or Beethoven or Schubert. While it is difficult to make such analogies when his music is still relatively rarely performed by comparison with these more illustrious names, but Gibbons’ fecundity of imagination, his masterly handling of his material, his emotional depth and maturity, the exquisite turns of phrase, his harmonic assurance, his contrapuntal ease and mastery - all this puts him in the first rank of composers" - Richard Boothby. "My Days is a ritualised memory piece about Orlando Gibbons (1583-1625) written for two ensembles whose recordings informed so much of my musical development. I feel like I spend half of my life trying to trick string players to play like Fretwork, and vocalists to sing like the Hilliard Ensemble, so it was with enormous pleasure that I composed this piece." - Nico Muhly

Artist(s)

Fretwork

Few other ensembles can match the range of Fretwork’s repertory, spanning as it does the first printed music of 1501 in Venice, to music commissioned by the group this year. This extraordinary breadth of music has taken them all over the world since their debut in 1986; but they now prefer to travel by train and car. Their recordings of the classic English viol repertory – Purcell, Gibbons, Lawes, Dowland & Byrd – have become the benchmark by which others are judged, while their newly-commissioned music has included works by Sir George Benjamin, Nico Muhly, Elvis Costello, John Woolrich and many others. The consistently high standards they have achieved have brought music old and new to audiences hitherto unfamiliar with...
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Few other ensembles can match the range of Fretwork’s repertory, spanning as it does the first printed music of 1501 in Venice, to music commissioned by the group this year. This extraordinary breadth of music has taken them all over the world since their debut in 1986; but they now prefer to travel by train and car. Their recordings of the classic English viol repertory – Purcell, Gibbons, Lawes, Dowland & Byrd – have become the benchmark by which others are judged, while their newly-commissioned music has included works by Sir George Benjamin, Nico Muhly, Elvis Costello, John Woolrich and many others. The consistently high standards they have achieved have brought music old and new to audiences hitherto unfamiliar with the inspiring sound-world of the viol.


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Composer(s)

Orlando Gibbons

Gibbons was an English composer, virginalist and organist of the Golden Century of English music. His career started in Cambride, after which he was named organist of the Chapel Royal. Later, he became of the Virginals of Jams I and in 1623 he was named organist of the Westminster Abbey.  Gibbons wrote a large number of madrigals and plenty of sacred music, yet he is mostly known for his instrumental music. He is seen as the succesor of William Byrd. Gibbons died of an acute stroke. His son, Christopher Gibbons, grew to fame too, as he composed Cupid and Death together with Mathew Locke, a masque on a libretto by James Shirley, which is now considered as one of the first English...
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Gibbons was an English composer, virginalist and organist of the Golden Century of English music. His career started in Cambride, after which he was named organist of the Chapel Royal. Later, he became of the Virginals of Jams I and in 1623 he was named organist of the Westminster Abbey. Gibbons wrote a large number of madrigals and plenty of sacred music, yet he is mostly known for his instrumental music. He is seen as the succesor of William Byrd. Gibbons died of an acute stroke. His son, Christopher Gibbons, grew to fame too, as he composed Cupid and Death together with Mathew Locke, a masque on a libretto by James Shirley, which is now considered as one of the first English operas.
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